Archival footage edited according to the randomized reinterpretation of a piece by Camille Saint-Saëns, played on theremin

The film unfolds a young Chinese migrant’s poignant recollection of her love story within an underground troupe against the shifting landscape of Chinese urban queer allies and activism. In her voice-over narration, she reflects on the intimacy, struggles, and sacrifices once shared with a lost lover. As her private memories intertwine with public narratives of resistance, both she and her community navigate secrecy, repression, survival, looming precarity, and displacement under societal pressures, while confronting the personal cost of existing in a world that demands their silence. By its kaleidoscopic assemblages of dramatic re-enactments, interviews, found footage, news archives and psychoanalytically informed representations of consciousness, the film takes an essayistic, and "queering", approach to sexual identity, power, governmentality in contemporary China, where the ongoing ideological tensions between socialism and neoliberalism shape both public culture and private life.

After committing murder to avenge the family name, a young man flees from his father, a former hangman who wants justice done.

Created by Anthology’s Archivist John Klacsmann, the visual track of Elegy for J.M. is the result of an encoding malfunction while preparing a clip of Jonas Mekas’s Lost Lost Lost (1976), a happy digital accident in keeping with the spontaneity and openness to chance embodied by Jonas’s diary films themselves.

暂无剧情简介

Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.

An experimental anthology about mental turmoil. Nine subversive perspectives from young filmmakers from around the world who lament over depression, alienation, loneliness, and heartbreak as universal experiences.

The poet Salvador Merlino didn’t live to see published April’s elegy, his last book, as he died whenit was still in the printing press. His daughter Mary (72) and his son, Carlos (74), kept the parcels ofcopies of their father’s book stashed away for 50 years, high up, on top of a wardrobe. The curiosityof young Federico will force them to come face to face with themselves.

Miyama Akira is a movie director in his 60's. In the past, he left his hometown to chase his dream. When he learns that his friend, who used to talk about their future, died, he goes back to his hometown for the first time in decades. While he walks along the streets there, he thinks about the life of his late friend and gets inspired to write a script about him.

Summary of the first TV-Series.